Through collages that merge 1950s technical drawing sheets with photographs from magazines of the period, such as Life and Paris Match, this exhibition explores memory as a space where different times meet. Images of dancers—symbols of movement and transience—intertwine with the industrial and advertising aesthetics of the past, evoking the way memory reconstructs and reinterprets time.
The artist highlights the role of the graphic press as a window onto the world, and how these images persist as traces of a particular era. The metaphor of dance—where bodies and times synchronize—invites reflection on the fragility and rhythm of remembrance.
An homage to memory as a creative act, in which the past is continuously reconfigured in the present.